1
00:00:00,434 --> 00:00:02,436
PREVIOUSLY ON...

2
00:00:02,470 --> 00:00:04,438
SUSAN LEFT TOWN
WITH A SECRET AGENDA.

3
00:00:04,472 --> 00:00:06,174
WHERE ARE YOU OFF TO?

4
00:00:06,207 --> 00:00:07,808
I'M JUST VISITING
SOME FAMILY.

5
00:00:07,841 --> 00:00:10,244
WELL, HAVE A GOOD TRIP.

6
00:00:10,278 --> 00:00:12,513
CARLOS WAS HEADED BACK
TO REHAB.

7
00:00:12,546 --> 00:00:13,414
YOU JUST WORRY
ABOUT GETTING BETTER.

8
00:00:13,447 --> 00:00:16,217
I CAN HOLD DOWN THE FORT,
NO PROBLEM.

9
00:00:16,250 --> 00:00:19,220
TOM'S TRIP WITH HIS GIRLFRIEND
WAS ENCOURAGED.

10
00:00:19,253 --> 00:00:21,789
I THINK YOU SHOULD GO
TO PARIS.

11
00:00:21,822 --> 00:00:27,161
AND BREE RECEIVED
ANOTHER MYSTERIOUS LETTER.

12
00:00:33,167 --> 00:00:37,171
IT'S ALWAYS EASY TO KNOW
WHO OUR FRIENDS ARE.

13
00:00:37,205 --> 00:00:40,774
THEY'RE THE ONES WHO TELL US
WHEN WE LOOK RIDICULOUS....

14
00:00:40,808 --> 00:00:45,513
OR WHEN
WE'RE DELUDING OURSELVES...

15
00:00:45,546 --> 00:00:49,150
OR WHEN WE'VE HAD ENOUGH.

16
00:00:50,551 --> 00:00:55,089
BUT ONLY THE BEST OF FRIENDS
WILL TELL YOU THE TRUTH,

17
00:00:55,123 --> 00:00:56,390
EVEN WHEN THEY KNOW...

18
00:00:56,424 --> 00:00:58,092
WHAT THE HELL IS THIS?

19
00:00:58,126 --> 00:00:59,527
IT WILL UPSET YOU.

20
00:00:59,560 --> 00:01:02,530
THAT'S WHAT I FOUND
IN MY MAILBOX.

21
00:01:02,563 --> 00:01:05,133
"YOU'RE WELCOME"?
I DON'T UNDERSTAND.

22
00:01:05,166 --> 00:01:07,235
DON'T YOU RECOGNIZE
THE STATIONERY?

23
00:01:07,268 --> 00:01:10,171
IT'S THE SAME
AS MARY ALICE'S LETTER,

24
00:01:10,204 --> 00:01:11,872
AND I GOT IT
RIGHT AFTER CHUCK'S FUNERAL.

25
00:01:11,905 --> 00:01:14,142
YOU THINK THIS IS WHO
KILLED CHUCK?

26
00:01:14,142 --> 00:01:16,277
WELL, IT'S THE ONLY
LOGICAL EXPLANATION.

27
00:01:16,310 --> 00:01:18,812
THERE'S NOTHING LOGICAL
ABOUT ANY OF THIS.

28
00:01:18,846 --> 00:01:20,781
DON'T YOU REMEMBER
THE FIRST NOTE?

29
00:01:20,814 --> 00:01:23,284
YEAH, WHOEVER WROTE THAT
WAS THREATENING US.

30
00:01:23,317 --> 00:01:25,419
EXACTLY.
SO NOW ALL OF A SUDDEN,

31
00:01:25,453 --> 00:01:26,754
THIS PERSON
WHO "KNOWS WHAT WE DID"

32
00:01:26,787 --> 00:01:29,357
AND IS "GOING TO TELL"
IS NOW KILLING COPS FOR US?

33
00:01:29,390 --> 00:01:30,491
DOESN'T MAKE SENSE.

34
00:01:30,524 --> 00:01:32,360
YEAH, BUT THE TIMING.

35
00:01:32,393 --> 00:01:34,162
IT IS WEIRD.

36
00:01:36,430 --> 00:01:38,199
SO WHAT'S THE DEAL
WITH US?

37
00:01:39,833 --> 00:01:41,235
WHAT DO YOU MEAN?

38
00:01:41,269 --> 00:01:43,804
ARE WE STILL MAD
AT EACH OTHER?

39
00:01:43,837 --> 00:01:46,407
I THINK SO.

40
00:01:46,440 --> 00:01:48,809
OKAY. JUST ASKING.

41
00:01:50,911 --> 00:01:52,846
WELL, WHAT ARE WE GONNA DO
ABOUT THIS?

42
00:01:52,880 --> 00:01:54,882
WHAT CAN WE DO?
WE DON'T KNOW WHO WROTE IT.

43
00:01:54,915 --> 00:01:55,849
WE DON'T KNOW WHAT THEY WANT.

44
00:01:55,883 --> 00:01:57,285
WE DON'T KNOW
WHAT THEY'RE GONNA DO NEXT.

45
00:01:57,318 --> 00:01:59,820
IS THERE ANYTHING WE DO KNOW?

46
00:01:59,853 --> 00:02:03,724
WELL... WE KNOW WHO THESE
LETTERS ARE BEING SENT TO.

47
00:02:03,757 --> 00:02:05,859
WHAT'S THAT SUPPOSED
TO MEAN?

48
00:02:05,893 --> 00:02:07,395
YOU'RE THE ONE WHO KEEPS
FINDING THESE THINGS.

49
00:02:07,428 --> 00:02:08,929
YOU TELL ME.

50
00:02:08,962 --> 00:02:11,532
I DON'T LIKE
YOUR ACCUSATORY TONE.

51
00:02:11,565 --> 00:02:12,666
WELL,
I'D USE A DIFFERENT TONE,

52
00:02:12,700 --> 00:02:15,703
BUT I'M TRYING TO ACCUSE YOU
OF SOMETHING.
GABY!

53
00:02:15,736 --> 00:02:16,737
YOU HAVE TO ADMIT, BREE,
THERE DOES SEEM TO BE A LINK

54
00:02:16,770 --> 00:02:19,807
BETWEEN YOU AND MR. CREEPY
LETTER WRITING GUY.

55
00:02:19,840 --> 00:02:21,409
I DON'T BELIEVE THIS.

56
00:02:21,442 --> 00:02:22,843
WHY ELSE WOULD THEY KEEP
SENDING YOU THE NOTES?

57
00:02:22,876 --> 00:02:24,945
WHY NOT SEND COPIES
TO ALL OF US?

58
00:02:24,978 --> 00:02:26,847
THIS IS NOT ABOUT ME.

59
00:02:26,880 --> 00:02:29,217
AND IF YOU TWO ARE GONNA
JUST SIT THERE AND BLAME ME

60
00:02:29,250 --> 00:02:33,854
FOR THE ACTIONS
OF SOME PSYCHOPATH, THEN...

61
00:02:33,887 --> 00:02:36,490
I'M JUST GONNA GO HOME.

62
00:02:40,761 --> 00:02:42,730
I SAY WE FORGIVE EACH OTHER
AND JUST STAY MAD AT BREE.

63
00:02:42,763 --> 00:02:43,797
DONE.

64
00:02:43,831 --> 00:02:47,968
YES, ONLY YOUR FRIENDS
WILL TELL YOU THE TRUTH.

65
00:02:48,001 --> 00:02:51,872
SO WHEN THEY WARN YOU
ABOUT SOMEONE SUSPICIOUS,

66
00:02:51,905 --> 00:02:58,312
MAYBE YOU SHOULD LISTEN
TO THEM.

67
00:03:11,359 --> 00:03:14,262
(Mary Alice)
SUSAN DELFINO WAS ON A MISSION,

68
00:03:14,295 --> 00:03:17,798
AND SHE HAD PLANNED IT DOWN
TO THE LAST DETAIL.

69
00:03:17,831 --> 00:03:21,735
SHE BROUGHT
THE PROPER IDENTIFICATION,

70
00:03:21,769 --> 00:03:25,906
SHE MAPPED OUT
THE CORRECT ROUTE,

71
00:03:25,939 --> 00:03:30,811
AND SHE BROUGHT PLENTY OF CASH
FOR EMERGENCIES.

72
00:03:30,844 --> 00:03:34,682
BUT THE ONE SMALL DETAIL
SHE HADN'T PLANNED...

73
00:03:34,715 --> 00:03:38,419
WAS WHAT TO DO
ONCE SHE GOT THERE.

74
00:03:38,452 --> 00:03:40,421
MIKE, I'VE GOT A PROBLEM.

75
00:03:40,454 --> 00:03:42,390
OH, WHAT'S WRONG?
YOU CAN'T FIND THE HOUSE?

76
00:03:42,423 --> 00:03:44,792
NO, I'M STANDING
IN FRONT OF IT RIGHT NOW.

77
00:03:44,825 --> 00:03:46,427
THEN WHAT'S THE PROBLEM?

78
00:03:46,460 --> 00:03:49,430
I HAVE NO IDEA
HOW TO GET INSIDE.

79
00:03:49,463 --> 00:03:52,300
YOU JUST SPENT AN ENTIRE DAY
ON A PLANE.

80
00:03:52,300 --> 00:03:53,801
YOU DIDN'T GIVE THIS
ANY THOUGHT AT ALL?

81
00:03:53,834 --> 00:03:56,337
I WAS GOING TO,
AND THEN I GOT CAUGHT UP

82
00:03:56,370 --> 00:03:59,039
IN AN IN-FLIGHT MOVIE.
IT WAS ABOUT A DOLPHIN

83
00:03:59,072 --> 00:04:01,842
WHO JOINS AN INNER CITY
WATER POLO TEAM, AND--

84
00:04:01,875 --> 00:04:03,010
SUSAN!

85
00:04:03,043 --> 00:04:04,812
Oh, my God.

86
00:04:04,845 --> 00:04:06,447
THIS WAS THE STUPIDEST IDEA
EVER, WASN'T IT?

87
00:04:06,480 --> 00:04:09,850
No, you did this because
you're a good person.

88
00:04:09,883 --> 00:04:12,786
HONEY, JUST LEAVE SOME FLOWERS
AND COME BACK HOME.

89
00:04:12,820 --> 00:04:15,789
I can't.
I came here for a reason.

90
00:04:15,823 --> 00:04:18,892
I HAVE TO MAKE SURE THAT
ALEJANDRO'S FAMILY IS OKAY.

91
00:04:18,926 --> 00:04:22,330
I JUST NEED TO FIGURE OUT SOME
COVER STORY TO GET IN THERE.

92
00:04:22,363 --> 00:04:23,931
YOU'RE A LITTLE EARLY!

93
00:04:23,964 --> 00:04:25,633
HUH?

94
00:04:25,666 --> 00:04:28,636
OH, COULDN'T WANT TO TAKE
THE FIRST LOOK, COULD YOU?

95
00:04:28,669 --> 00:04:30,338
WHAT?

96
00:04:30,371 --> 00:04:33,674
OH, RELAX.
I'M OKAY WITH EARLY BIRDS.

97
00:04:33,707 --> 00:04:35,943
CONNIE THOMAS, THOMAS REALTY.

98
00:04:35,976 --> 00:04:39,046
OFFICIALLY, THE OPEN HOUSE
DOESN'T START FOR AN HOUR,

99
00:04:39,079 --> 00:04:42,616
BUT IF YOU HELP ME LAY OUT
THE FINGER SANDWICHES,

100
00:04:42,650 --> 00:04:46,820
I'LL LET YOU SNEAK
THE FIRST PEEK. COME ON!

101
00:04:46,854 --> 00:04:50,691
MIKE, I'VE GOTTA GO.
I'M ABOUT TO BUY A HOUSE.
(beep)

102
00:04:50,724 --> 00:04:53,927
LISTEN, ALL I'M ASKING FOR
IS AN EXTENSION.

103
00:04:53,961 --> 00:04:55,629
ONCE I GET A MODEL UNIT OPEN,

104
00:04:55,663 --> 00:04:57,798
THESE CONDOS ARE GONNA BE
SELLING LIKE CRAZY.

105
00:04:57,831 --> 00:04:59,900
(knock on door)

106
00:04:59,933 --> 00:05:02,035
HI. WHAT'S GOING ON?

107
00:05:02,069 --> 00:05:03,937
HEY, I WAS SITTING OVER
AT BREE'S,

108
00:05:03,971 --> 00:05:06,740
AND I THOUGHT...
(clicks tongue) I MISS HIM.

109
00:05:06,774 --> 00:05:10,378
YEAH, I MISS YOU, TOO. BUT I CAN
GET THE NUMBERS FOR YOU.

110
00:05:10,378 --> 00:05:12,413
HOLD ON. HERE.

111
00:05:12,446 --> 00:05:16,650
UH, DID YOU HEAR ME?
I SAID I MISS YOU.

112
00:05:16,684 --> 00:05:18,786
UH, THAT'S MY GIRLFRIEND.
JUST--J--

113
00:05:18,819 --> 00:05:23,391
(scoffs) HEY.
I DON'T MISS PEOPLE.

114
00:05:23,424 --> 00:05:24,625
I FORGET THEM.

115
00:05:24,658 --> 00:05:27,060
I IGNORE THEM.
I VERBALLY ABUSE THEM,

116
00:05:27,094 --> 00:05:30,598
BUT I AM DEFINITELY NOT
A MISSING-PEOPLE KIND OF PERSON.

117
00:05:30,631 --> 00:05:31,865
CAN YOU HANG ON
FOR A SECOND?

118
00:05:31,899 --> 00:05:34,735
LISTEN, I LOVE THAT YOU MISS ME,
BUT I'M REALLY BUSY RIGHT NOW.

119
00:05:34,768 --> 00:05:36,737
TALK LATER.
HEY, YOU STILL THERE?

120
00:05:36,770 --> 00:05:39,106
YEAH, I'VE GOT THE NUMBERS
RIGHT HERE.
(scoffs)

121
00:05:39,139 --> 00:05:42,410
YEAH. YEAH.

122
00:05:44,778 --> 00:05:47,080
LET ME TELL YOU WHAT
THE MAN FROM DOWN UNDER

123
00:05:47,114 --> 00:05:50,117
WHO WILL NEVER AGAIN
BE DOWN UNDER JUST DID TO ME.

124
00:05:51,919 --> 00:05:53,120
WHAT'S WRONG?

125
00:05:53,153 --> 00:05:55,723
NOTHING.

126
00:05:55,756 --> 00:05:58,592
OH, GOD,
IT'S LIKE PULLING TEETH.

127
00:05:58,626 --> 00:06:00,594
I SAW YOU TALKING
TO GABY AND LYNETTE.

128
00:06:00,628 --> 00:06:02,696
DID THEY SAY SOMETHING
TO UPSET YOU?

129
00:06:02,730 --> 00:06:05,966
I DON'T WANT TO DISCUSS IT.

130
00:06:05,999 --> 00:06:07,801
THEY SUGGESTED BOTOX,
DIDN'T THEY?

131
00:06:07,835 --> 00:06:09,703
NO. WHY WOULD YOU SAY THAT?

132
00:06:09,737 --> 00:06:11,772
YOU'RE HAVING WINE
BEFORE LUNCH.

133
00:06:11,805 --> 00:06:15,643
THAT'S WHAT I DID THE FIRST TIME
SOMEONE SAID I NEEDED BOTOX.

134
00:06:15,676 --> 00:06:16,710
YES, I AM UPSET,
BUT IT'S PRIVATE,

135
00:06:16,744 --> 00:06:19,680
AND I WANNA PROCESS IT...
(whispers) PRIVATELY.

136
00:06:19,713 --> 00:06:22,616
OHH, KEEPING STUFF INSIDE
IS HOW YOU ENDED UP

137
00:06:22,650 --> 00:06:24,017
IN THAT MOTEL WITH A GUN.

138
00:06:24,051 --> 00:06:27,921
RELAX.
I AM NO LONGER SUICIDAL.

139
00:06:27,955 --> 00:06:29,623
YOU DON'T WANNA TALK? FINE.

140
00:06:29,657 --> 00:06:32,660
BUT I'M NOT GONNA LET YOU
SIT HERE FOR THE NEXT FEW DAYS

141
00:06:32,693 --> 00:06:34,895
MOPING ABOUT GOD KNOWS WHAT.

142
00:06:34,928 --> 00:06:36,630
WE'RE GOING OUT.

143
00:06:36,664 --> 00:06:38,131
WHAT?

144
00:06:38,165 --> 00:06:40,167
I KNOW ALL SORTS
OF NAUGHTY PLACES

145
00:06:40,200 --> 00:06:42,770
FILLED WITH ALL SORTS
OF NAUGHTY MEN.

146
00:06:42,803 --> 00:06:45,005
BE READY TO LEAVE BY 8:00
AND TRY TO WEAR SOMETHING

147
00:06:45,038 --> 00:06:47,641
THAT DOESN'T SCREAM
"FRIGID SCHOOLMARM."

148
00:06:47,675 --> 00:06:49,610
NO! NO, NO, LISTEN TO ME.

149
00:06:49,643 --> 00:06:51,579
I DON'T WANNA GO OUT. I DON'T
WANNA TALK ABOUT MY FEELINGS,

150
00:06:51,612 --> 00:06:54,815
AND I DON'T WANT YOU HERE
ANYMORE, SO PLEASE...

151
00:06:54,848 --> 00:06:57,885
GO HOME.

152
00:06:57,918 --> 00:06:59,019
(sighs)
(wine pouring)

153
00:06:59,052 --> 00:07:00,921
WOW. ANOTHER GLASS OF WINE?

154
00:07:03,657 --> 00:07:05,125
(sighs)

155
00:07:05,158 --> 00:07:07,160
IT'S JUST,
I'VE NEVER SEEN YOU DRINK.

156
00:07:07,194 --> 00:07:10,764
YOU KNOW WHAT? YOU'RE RIGHT.
I COULD USE A NIGHT OUT.

157
00:07:10,798 --> 00:07:11,565
REALLY?

158
00:07:11,599 --> 00:07:14,968
YES, BUT MY WARDROBE
IS A BIT FROSTY.

159
00:07:15,002 --> 00:07:16,804
DO YOU THINK YOU COULD
RUN BACK TO YOUR HOUSE

160
00:07:16,837 --> 00:07:19,607
AND FIND SOMETHING
IN YOUR CLOSET FOR ME?

161
00:07:19,640 --> 00:07:20,974
SOMETHING SEXY.

162
00:07:21,008 --> 00:07:23,944
ABSOLUTELY.
OH, BREE, YOU'LL SEE.

163
00:07:23,977 --> 00:07:28,115
A NIGHT OUT IS EXACTLY WHAT
YOU NEED TO LIFT YOUR SPIRITS.

164
00:07:30,784 --> 00:07:34,888
(door opens and closes)

165
00:07:42,696 --> 00:07:44,565
(sighs)

166
00:07:46,867 --> 00:07:48,669
I'M TIRED.

167
00:07:48,702 --> 00:07:50,538
I KNOW, SWEETIE.

168
00:07:50,571 --> 00:07:53,574
TRYING TO TEACH YOU
THE VALUE OF HARD WORK.

169
00:07:56,644 --> 00:08:00,548
(sighs) IF YOU'RE WONDERING WHY
I'M PUSHING THE LEAVES

170
00:08:00,581 --> 00:08:02,950
OVER TO MS. KINSKY'S HOUSE,

171
00:08:02,983 --> 00:08:04,552
IT'S 'CAUSE I'M TRYING
TO TEACH HER

172
00:08:04,552 --> 00:08:06,554
THE VALUE OF HARD WORK, TOO.

173
00:08:06,554 --> 00:08:08,556
(sighs)
(car door closes)

174
00:08:08,589 --> 00:08:10,658
MRS. SOLIS, HELLO.

175
00:08:10,691 --> 00:08:13,694
HEY... CARLOS' SECRETARY.

176
00:08:13,727 --> 00:08:14,562
MARILYN.

177
00:08:14,562 --> 00:08:16,797
MARILYN, OF COURSE. YES.
I KNEW THAT.

178
00:08:16,830 --> 00:08:18,566
WHAT CAN I DO FOR YOU,
MARILYN?

179
00:08:18,599 --> 00:08:19,567
I WAS IN THE NEIGHBORHOOD,

180
00:08:19,567 --> 00:08:21,068
AND I THOUGHT I'D BRING BY
MR. SOLIS' MAIL.

181
00:08:21,101 --> 00:08:22,803
THANK YOU.
BY THE WAY,

182
00:08:22,836 --> 00:08:25,573
ANY CHANCE THAT TOMORROW
HE CAN GET OUT OF HIS...

183
00:08:25,606 --> 00:08:26,574
(whispers) REHAB?

184
00:08:26,607 --> 00:08:29,577
WHY DO YOU NEED CARLOS?
HE'S BEEN TRYING TO LAND

185
00:08:29,577 --> 00:08:30,911
THIS BRITISH FIRM
AS A CLIENT FOR MONTHS.

186
00:08:30,944 --> 00:08:32,045
THEY'RE IN TOWN
FOR A COUPLE OF DAYS,

187
00:08:32,079 --> 00:08:34,047
AND I THINK A LITTLE
WINING AND DINING

188
00:08:34,081 --> 00:08:35,282
WOULD SEAL THE DEAL.

189
00:08:35,315 --> 00:08:37,585
WELL, I DON'T THINK
IT'S A GOOD IDEA

190
00:08:37,585 --> 00:08:40,287
TO SPRING CARLOS OUT OF REHAB
FOR "WINING."

191
00:08:40,320 --> 00:08:42,790
ISN'T THERE SOMEONE ELSE
WHO CAN MEET WITH THEM?

192
00:08:42,823 --> 00:08:43,957
WHAT ABOUT THE OLD GUY?

193
00:08:43,991 --> 00:08:45,659
ROBERT? HE RETIRED.

194
00:08:45,693 --> 00:08:47,995
OH. OH!
HOW ABOUT THE FAT CHICK?

195
00:08:48,028 --> 00:08:49,797
CELESTE? MATERNITY LEAVE.

196
00:08:49,830 --> 00:08:53,033
THE NERVE OF THESE PEOPLE.

197
00:08:53,066 --> 00:08:55,803
SORRY, MARILYN. YOU WIN SOME,
YOU LOSE SOME, RIGHT?

198
00:08:55,836 --> 00:08:56,970
EXCEPT IN THIS CASE,

199
00:08:57,004 --> 00:08:59,707
WE'RE LOSING
A $90 MILLION ACCOUNT.

200
00:08:59,740 --> 00:09:03,611
WHOA, WHOA, WHOA.
$90 MILLION?

201
00:09:06,313 --> 00:09:09,717
AND YOU THINK ALL IT WILL TAKE
IS A LITTLE WINING AND DINING?

202
00:09:09,750 --> 00:09:12,252
WHY DON'T YOU GO AHEAD
AND SET UP THAT MEETING?

203
00:09:12,285 --> 00:09:14,087
I HAVE AN IDEA.

204
00:09:14,121 --> 00:09:15,689
OKAY, I'LL GET RIGHT ON IT.

205
00:09:17,825 --> 00:09:20,628
DO YOU KNOW WHY
THE OWNERS ARE SELLING?

206
00:09:20,661 --> 00:09:23,931
OH. THAT'S A BIT
OF A SCANDAL.

207
00:09:23,964 --> 00:09:25,899
I REALLY SHOULDN'T SAY.

208
00:09:25,933 --> 00:09:27,768
OKAY.

209
00:09:27,801 --> 00:09:32,272
THE HUSBAND DISAPPEARED
FOUR MONTHS AGO,

210
00:09:32,305 --> 00:09:34,374
AND HE HASN'T BEEN
HEARD FROM SINCE.

211
00:09:34,407 --> 00:09:38,311
I THINK IT'S DRUGS
OR MAYBE ANOTHER WOMAN.

212
00:09:38,345 --> 00:09:41,381
COULD BE ANYTHING.

213
00:09:41,414 --> 00:09:42,315
POOR CHILD.

214
00:09:42,349 --> 00:09:44,384
STEPCHILD.

215
00:09:44,417 --> 00:09:46,920
OH, BUT YOU GOT
THE "POOR" PART RIGHT.

216
00:09:46,954 --> 00:09:48,656
THE WIFE HAD TO TAKE
A SECOND JOB,

217
00:09:48,689 --> 00:09:52,259
AND NOW SHE STILL
CAN'T EVEN MAKE ENDS MEET.

218
00:09:52,292 --> 00:09:53,326
(thud)

219
00:09:53,360 --> 00:09:55,262
YEAH.

220
00:09:55,295 --> 00:09:56,730
TELL THE BUYERS
HOW DESPERATE WE ARE.

221
00:09:56,764 --> 00:09:58,732
THAT'LL JACK UP
THE SALE PRICE.

222
00:09:58,766 --> 00:10:01,869
OH. MRS. SANCHEZ, SO SORRY.

223
00:10:01,902 --> 00:10:03,771
I DIDN'T REALIZE
YOU WERE COMING BACK SO SOON.

224
00:10:03,804 --> 00:10:05,372
I BET.

225
00:10:05,405 --> 00:10:08,008
BY THE WAY, YOU DROPPED
SOME OF YOUR FLYERS ON MY LAWN.

226
00:10:08,041 --> 00:10:12,279
OH, I SHOULD GET THOSE.
EXCUSE ME.

227
00:10:12,312 --> 00:10:14,247
(scoffs)

228
00:10:14,281 --> 00:10:17,785
IT'S NOT COMPLETELY HER FAULT.
I WAS SORT OF... PRYING.

229
00:10:17,818 --> 00:10:19,052
SORRY.

230
00:10:19,086 --> 00:10:21,421
ARE YOU SORRY ENOUGH
TO BUY MY HOUSE?

231
00:10:21,454 --> 00:10:25,993
OH, WELL, UH...
ACTUALLY, I WAS...

232
00:10:26,026 --> 00:10:28,228
LOOKING FOR SOMETHING
A LITTLE LARGER.

233
00:10:28,261 --> 00:10:31,298
WELL, THAT'S TOO BAD.

234
00:10:35,869 --> 00:10:41,341
MAYBE, UH, THERE'S SOMETHING
THAT I CAN DO FOR YOU.

235
00:10:42,943 --> 00:10:47,715
BECAUSE... I AM A COLLECTOR
OF AMERICANA...

236
00:10:47,748 --> 00:10:50,751
AND SOME OF
YOUR FABULOUS KNICKKNACKS

237
00:10:50,784 --> 00:10:52,753
HAVE REALLY CAUGHT MY EYE.

238
00:10:52,786 --> 00:10:54,822
I HAVE FABULOUS KNICKKNACKS?

239
00:10:54,855 --> 00:10:56,456
YOU SURE DO. (chuckles)

240
00:10:56,489 --> 00:11:01,328
LIKE--LIKE THIS,
FOR INSTANCE.

241
00:11:01,361 --> 00:11:02,730
THOSE ARE LEGOS.

242
00:11:02,730 --> 00:11:05,265
(chuckles)
I KNOW WHAT THEY ARE.

243
00:11:05,298 --> 00:11:07,768
BUT WHAT YOU DON'T KNOW

244
00:11:07,801 --> 00:11:11,872
IS THAT THESE ARE...
PHASE ONE LEGOS.

245
00:11:11,905 --> 00:11:13,741
VERY RARE.

246
00:11:13,774 --> 00:11:17,745
I WOULD LOVE TO BUY THEM

247
00:11:17,745 --> 00:11:19,179
IF YOU'RE WILLING TO SELL.

248
00:11:19,212 --> 00:11:21,749
SERIOUSLY?

249
00:11:21,782 --> 00:11:23,951
'CAUSE I GOT, LIKE,
A WHOLE COFFEE CAN

250
00:11:23,984 --> 00:11:25,953
FULL OF THOSE.

251
00:11:25,986 --> 00:11:28,255
(laughs) THAT'S... JACKPOT.

252
00:11:28,288 --> 00:11:32,292
OH! (laughs) I-I, UM,
I WILL TAKE THEM ALL.

253
00:11:32,325 --> 00:11:33,326
HEY, MARISA!

254
00:11:33,360 --> 00:11:35,763
WHAT?

255
00:11:35,796 --> 00:11:37,230
THIS LADY'S BUYING
ALL YOUR OLD LEGOS.

256
00:11:37,264 --> 00:11:38,465
YOU STILL HAVE THAT BOX
FULL OF HEADLESS BARBIES?

257
00:11:38,498 --> 00:11:40,768
OH! OH, THAT'S OKAY.
I'M GOOD. UH...

258
00:11:40,801 --> 00:11:43,270
(paper rips)
HERE... IS YOUR CHECK.

259
00:11:44,938 --> 00:11:47,875
OH, I THINK YOU ADDED
AN EXTRA ZERO.

260
00:11:47,908 --> 00:11:53,180
THAT'S BECAUSE I...
I WANNA DO SOMETHING TO HELP.

261
00:11:53,213 --> 00:11:56,183
YOU KNOW, BECAUSE OF YOUR...
SITUATION.

262
00:11:56,216 --> 00:11:57,517
LOOK,
WHATEVER MY REALTOR SAID,

263
00:11:57,550 --> 00:11:58,986
YOU DON'T GOTTA FEEL SORRY
FOR ME.

264
00:11:59,019 --> 00:12:01,254
I KNOW MY HUSBAND
WILL COME BACK.

265
00:12:01,288 --> 00:12:07,160
BUT... ON THE OFF CHANCE
THAT HE... DOESN'T,

266
00:12:07,194 --> 00:12:10,798
PLEASE, TAKE MY CHECK.

267
00:12:10,831 --> 00:12:14,267
OKAY. THANK YOU.

268
00:12:14,301 --> 00:12:16,870
(sighs)

269
00:12:16,904 --> 00:12:19,239
BUT STOP GIVING ME
THE SAD EYES.

270
00:12:19,272 --> 00:12:21,541
RAMON DOES THIS SORT OF THING
ALL THE TIME.

271
00:12:21,574 --> 00:12:24,211
HE GOES ON A LITTLE BENDER,
THEN COMES HOME,

272
00:12:24,244 --> 00:12:27,214
BUT MOSTLY, HE'S A GOOD HUSBAND
AND A LOVING FATHER.

273
00:12:39,526 --> 00:12:42,562
WELL, THANK YOU AGAIN.

274
00:12:42,595 --> 00:12:44,297
IT WAS A...

275
00:12:44,331 --> 00:12:47,234
PLEASURE DOING BUSINESS
WITH YOU.
(sighs)

276
00:12:47,267 --> 00:12:49,837
YOU'VE REALLY
HELPED US OUT.

277
00:13:03,383 --> 00:13:05,152
* TA-DA
WOW, THAT SMELLS GREAT.

278
00:13:05,185 --> 00:13:06,453
WHERE'D YOU LEARN
TO MAKE A POT PIE?

279
00:13:06,486 --> 00:13:08,088
I LOOKED IT UP
ON A LITTLE PLACE

280
00:13:08,121 --> 00:13:09,189
YOU KIDS CALL THE INTERNET.

281
00:13:09,222 --> 00:13:11,258
THIS IS NICE, HUH?

282
00:13:11,291 --> 00:13:12,525
PERFECT FAMILY DINNER.

283
00:13:18,098 --> 00:13:19,933
IT'S DOING IT AGAIN.

284
00:13:19,967 --> 00:13:21,434
NO, IT'S NOT.
EVERYTHING'S PERFECT.

285
00:13:21,468 --> 00:13:23,103
IT'S FLICKERING, MOM.

286
00:13:23,136 --> 00:13:25,072
HAD TO HAPPEN WHILE DAD
WAS IN PARIS, RIGHT?

287
00:13:25,105 --> 00:13:27,040
HEY! WHAT'S THAT SUPPOSED
TO MEAN?

288
00:13:27,074 --> 00:13:30,911
I CAN HANDLE IT. I'LL JUST
DO WHAT YOUR DAD DOES.

289
00:13:30,944 --> 00:13:32,245
WHAT DOES YOUR DAD DO?

290
00:13:32,279 --> 00:13:35,448
HE GOES TO THE CIRCUIT BOX
AND... JIGGLES SOMETHING.

291
00:13:38,485 --> 00:13:41,288
I CAN DO THAT.

292
00:13:41,321 --> 00:13:42,990
AHA.

293
00:13:43,023 --> 00:13:47,360
YOU KNOW EXACTLY WHAT
HE JIGGLES OR... NEVER MIND.

294
00:13:47,394 --> 00:13:48,395
I'LL DO IT.

295
00:13:48,428 --> 00:13:50,163
(switch clicks)
ANYTHING?

296
00:13:51,264 --> 00:13:54,101
YOU'RE MAKING IT WORSE.
WAIT, WAIT.

297
00:13:54,134 --> 00:13:55,335
THIS IS IT.
THIS IS DEFINITELY IT.

298
00:13:55,368 --> 00:13:57,004
(switch clicks,
electricity buzzes)

299
00:14:01,074 --> 00:14:03,110
WELL, IT STOPPED FLICKERING.

300
00:14:03,143 --> 00:14:04,344
WHAT TIME IS IT IN PARIS?

301
00:14:04,377 --> 00:14:06,914
NO. WE ARE NOT GOING TO
CALL YOUR DAD.

302
00:14:06,947 --> 00:14:09,349
WE JUST NEED
SOME FLASHLIGHTS.

303
00:14:09,382 --> 00:14:13,186
WHERE DOES YOUR DAD
KEEP THE FLASHLIGHTS?

304
00:14:13,220 --> 00:14:14,922
HUH.

305
00:14:20,193 --> 00:14:21,261
BOSS.

306
00:14:21,294 --> 00:14:24,031
HI, MIKE.
EVERYTHING OKAY?

307
00:14:24,064 --> 00:14:25,999
WELL, I, UH, I JUST
BOUNCED A CHECK.

308
00:14:26,033 --> 00:14:27,968
OUCH.

309
00:14:28,001 --> 00:14:29,970
AND IT WAS TO BUY BATS FOR
M.J.'s LITTLE LEAGUE TEAM, SO...

310
00:14:30,003 --> 00:14:31,939
EMBARRASSING.
EXACTLY.

311
00:14:31,972 --> 00:14:33,406
SO I CALLED MY BANK
TO TEAR 'EM A NEW ONE,

312
00:14:33,440 --> 00:14:34,942
AND THEY TOLD ME
MY LAST PAYCHECK

313
00:14:34,975 --> 00:14:37,945
WAS RETURNED
FOR INSUFFICIENT FUNDS...

314
00:14:37,945 --> 00:14:39,012
BOSS.

315
00:14:39,046 --> 00:14:41,414
OH. LOOK, UH...

316
00:14:41,448 --> 00:14:42,983
(bills rustling)

317
00:14:43,016 --> 00:14:44,184
LET ME COVER THAT FOR YOU.

318
00:14:44,217 --> 00:14:47,420
I'M SORRY ABOUT THAT. I DON'T
KNOW WHAT COULD HAVE HAPPENED.

319
00:14:47,454 --> 00:14:48,555
I JUST SWITCHED BANKS.

320
00:14:48,588 --> 00:14:51,624
MAYBE THERE WAS SOME KIND
OF PROBLEM WITH THE TRANSFER.

321
00:14:51,658 --> 00:14:54,194
YOU SURE THAT'S IT?

322
00:14:54,227 --> 00:14:57,197
I MEAN, I KNOW THE CONDO
PROJECT'S GOING A LITTLE SLOW.

323
00:14:57,230 --> 00:14:58,365
IS EVERYTHING OKAY?

324
00:14:58,398 --> 00:15:01,268
ABSOLUTELY.
NOTHING TO WORRY ABOUT. HERE.

325
00:15:01,301 --> 00:15:03,971
GRAB THE KIDS
A FEW EXTRA BATS.

326
00:15:04,004 --> 00:15:07,140
OH, NO, I DON'T NEED A TIP.
UH, JUST--JUST MY PAY.

327
00:15:17,384 --> 00:15:19,987
HEY. DID YOU FIX IT?

328
00:15:19,987 --> 00:15:21,688
NO, BUT I FIGURED OUT
IT'S NOT THE LIGHT,

329
00:15:21,721 --> 00:15:22,990
SO I'M GOING OVER
THE BLUEPRINTS

330
00:15:23,023 --> 00:15:24,724
TO FIND OUT WHERE
THE REAL PROBLEM IS.

331
00:15:24,757 --> 00:15:26,659
OR YOU COULD JUST CALL
AN ELECTRICIAN.

332
00:15:26,693 --> 00:15:28,628
WHY DO THAT?

333
00:15:28,661 --> 00:15:30,697
I WENT ON THE INTERNET.
I DID A LITTLE RESEARCH.
(refrigerator door opens)

334
00:15:30,730 --> 00:15:32,099
AND OTHER THAN A FEW
ELECTROCUTION STORIES,

335
00:15:32,132 --> 00:15:34,001
IT DOESN'T SOUND THAT HARD.

336
00:15:34,001 --> 00:15:36,169
SEEMS LIKE A LOT OF WORK.

337
00:15:36,203 --> 00:15:39,272
ALL DAD HAD TO DO WAS...
JIGGLE SOMETHING.

338
00:15:39,306 --> 00:15:43,076
YOU KNOW, THE JIGGLE
IS JUST A BAND-AID.

339
00:15:43,110 --> 00:15:45,645
THAT WAS YOUR DAD'S APPROACH
TO EVERYTHING.

340
00:15:45,678 --> 00:15:46,746
JUST PATCH IT UP
AND PRETEND IT'S FIXED.

341
00:15:46,779 --> 00:15:50,417
THAT'S WHY WE'VE HAD
THESE PROBLEMS ALL THESE YEARS.

342
00:15:52,085 --> 00:15:55,322
THE LIGHT.
I'M TALKING ABOUT THE LIGHT.

343
00:15:55,355 --> 00:15:57,024
(doorbell rings)

344
00:15:57,024 --> 00:15:57,757
AT LEAST THE DOORBELL'S
WORKING AGAIN.

345
00:15:57,790 --> 00:15:59,092
MM.

346
00:15:59,126 --> 00:16:02,029
(singsongy) HEY! HOW ARE YOU?

347
00:16:02,029 --> 00:16:05,632
UH-OH. THAT'S THE "HEY"
THAT MEANS "I NEED SOMETHING."

348
00:16:05,665 --> 00:16:08,068
NO, COME ON. THIS IS IMPORTANT.

349
00:16:08,101 --> 00:16:11,671
OKAY, CARLOS IS AWAY, AND I NEED
SOME HELP WITH HIS BUSINESS,

350
00:16:11,704 --> 00:16:14,641
AND YOU'RE THE ONLY FRIEND
I HAVE WHO KNOWS THIS STUFF.

351
00:16:14,674 --> 00:16:16,276
WHAT STUFF?
I DON'T KNOW.

352
00:16:16,309 --> 00:16:18,078
SOME BIG BRITISH COMPANY.

353
00:16:18,111 --> 00:16:19,612
BENNETT SOMETHING.

354
00:16:19,646 --> 00:16:21,348
THE BENNETT GROUP?

355
00:16:21,381 --> 00:16:23,716
YEAH! SEE? YOU GET IT.

356
00:16:23,750 --> 00:16:25,685
ANYWAY, THEY'RE ON THE VERGE
OF SIGNING WITH CARLOS,

357
00:16:25,718 --> 00:16:26,819
AND SINCE HE'S NOT "FREE,"

358
00:16:26,853 --> 00:16:29,222
I THOUGHT I'D TAKE 'EM
TO DINNER AND CLOSE THE DEAL.

359
00:16:29,256 --> 00:16:32,059
YOU? HOW WOULD YOU EVEN
KNOW WHAT TO TALK ABOUT?

360
00:16:32,092 --> 00:16:34,761
HEY, THAT'S WHERE
YOU COME IN.

361
00:16:34,794 --> 00:16:36,663
YOU USED TO WORK FOR CARLOS.

362
00:16:36,696 --> 00:16:38,765
MAYBE YOU CAN GIVE ME
A FEW POINTERS.

363
00:16:38,798 --> 00:16:42,102
I HAVE SPENT MY LIFE LEARNING
ABOUT THE WORLD OF FINANCE.

364
00:16:42,135 --> 00:16:44,171
I CAN'T JUST TEACH IT TO YOU
IN A COUPLE OF WEEKS.

365
00:16:44,204 --> 00:16:46,573
COULD YOU TEACH IT TO ME
IN A COUPLE HOURS?

366
00:16:46,606 --> 00:16:47,707
'CAUSE
THE MEETING'S TOMORROW.

367
00:16:47,740 --> 00:16:49,376
GABY.

368
00:16:49,409 --> 00:16:51,211
I'M A FAST LEARNER, I SWEAR.

369
00:16:51,244 --> 00:16:53,180
AND FROM WHAT I UNDERSTAND,
THE DEAL'S AS GOOD AS DONE.

370
00:16:53,213 --> 00:16:56,083
THIS IS JUST A FORMALITY.

371
00:16:58,685 --> 00:17:01,554
(chuckles) OKAY. FINE.

372
00:17:01,588 --> 00:17:03,223
AH, COME BACK TONIGHT
AFTER THE KIDS ARE DONE.

373
00:17:03,256 --> 00:17:04,157
I'LL DO MY BEST.

374
00:17:04,191 --> 00:17:06,659
OH, YOU'RE THE GREATEST.
YEAH, YEAH, YEAH.

375
00:17:06,693 --> 00:17:08,695
HEY, COULD YOU AT LEAST
BRING--

376
00:17:08,728 --> 00:17:10,563
BRING SOME WINE.
I'M ONE STEP AHEAD OF YOU.

377
00:17:10,597 --> 00:17:12,099
I WAS GOING TO SAY
CARLOS' FILES.

378
00:17:12,132 --> 00:17:14,734
OH, JEEZ.
THOSE ARE AT HIS OFFICE,

379
00:17:14,767 --> 00:17:17,770
AND THAT'S ALL THE WAY
ACROSS TOWN.

380
00:17:17,804 --> 00:17:19,272
(singsongy) HEY!

381
00:17:19,306 --> 00:17:21,108
NO.

382
00:17:29,582 --> 00:17:36,789
(indistinct conversations)

383
00:17:36,823 --> 00:17:39,159
OH, I DON'T SUPPOSE
THE BARTENDER

384
00:17:39,192 --> 00:17:41,328
HAS ANY ANTI-BACTERIAL WIPES.

385
00:17:41,361 --> 00:17:44,631
(sighs) YOU CAN ASK AGAIN,
BUT I DON'T THINK SO.

386
00:17:44,664 --> 00:17:45,865
WILL YOU STOP?

387
00:17:45,898 --> 00:17:49,136
THE FUN OF A PLACE LIKE THIS
IS GETTING GERMS ON YOUR ELBOWS.

388
00:17:49,169 --> 00:17:50,570
I DON'T UNDERSTAND
WHY ANYONE

389
00:17:50,603 --> 00:17:52,705
WOULD WANT TO COME
TO A DIVE LIKE THIS.

390
00:17:52,739 --> 00:17:54,374
YOU SAY "DIVE"
LIKE IT'S A BAD WORD.

391
00:17:54,407 --> 00:17:57,277
(gasps)
LOOK AROUND.
PEOPLE ARE HAVING FUN.

392
00:17:57,310 --> 00:18:01,548
NOW LOOK IN THAT MIRROR, HMM?
NOT FUN.

393
00:18:01,581 --> 00:18:04,184
WHY ARE YOU SO UPTIGHT?

394
00:18:04,217 --> 00:18:07,187
WELL, COMPARED TO YOU,
A WOMAN WHO PAID FOR OUR DRINKS

395
00:18:07,220 --> 00:18:09,356
BY.. SHOWING OFF
THE BRONTE SISTERS.

396
00:18:09,389 --> 00:18:11,358
THE BRONTE SISTERS?

397
00:18:11,391 --> 00:18:14,861
JEEZ. EVEN YOUR BOOB JOKES
ARE REPRESSED.

398
00:18:14,894 --> 00:18:16,296
WHAT HAPPENED TO YOU?

399
00:18:16,329 --> 00:18:17,397
NOTHING HAPPENED TO ME.

400
00:18:17,430 --> 00:18:19,566
WELL, SOMEONE MADE YOU THIS WAY.
WAS IT YOUR MOTHER?

401
00:18:19,599 --> 00:18:21,634
MY MOTHER PASSED AWAY
WHEN I WAS 10.

402
00:18:21,668 --> 00:18:23,870
OHH. THAT EXPLAINS IT.

403
00:18:23,903 --> 00:18:26,273
REMEMBER MY MOM DIED
WHEN I WAS A KID, TOO.

404
00:18:26,306 --> 00:18:28,341
WHEN PARENTS DIE,
YOU CAN GO ONE OF TWO WAYS--

405
00:18:28,375 --> 00:18:33,180
DADDY'S LITTLE GIRL
OR DADDY'S LITTLE NIGHTMARE.

406
00:18:33,180 --> 00:18:35,615
WELL, I SUPPOSE MY FATHER
DID HAVE CERTAIN EXPECTATIONS.

407
00:18:35,648 --> 00:18:37,584
HE... RAISED ME TO BE A LADY,

408
00:18:37,617 --> 00:18:39,819
AND I'VE DONE MY BEST
TO MAKE HIM PROUD.

409
00:18:39,852 --> 00:18:40,853
MM, HELLO, REPRESSION.

410
00:18:40,887 --> 00:18:44,357
WELL, I'M GLAD THAT
HE INSISTED ON GOOD BEHAVIOR.

411
00:18:44,391 --> 00:18:46,726
YOUR DAD IS NOT HERE, BREE.

412
00:18:46,759 --> 00:18:49,196
NO ONE'S GONNA TELL HIM
IF YOU CUT LOOSE,

413
00:18:49,229 --> 00:18:51,231
HAVE A LITTLE FUN.

414
00:18:51,264 --> 00:18:55,268
(sighs) YOU LOOK HOT
IN MY DRESS.

415
00:18:55,302 --> 00:18:58,638
BE BAD. BE NAUGHTY.
HIT ON A STRANGER.

416
00:18:58,671 --> 00:19:01,274
I WOULDN'T TAKE A BREATH MINT
FROM THESE PEOPLE...

417
00:19:01,308 --> 00:19:04,544
AS IF ANY OF THEM
WOULD HAVE ONE.

418
00:19:04,577 --> 00:19:08,315
FINE. SIT HERE ALONE
LIKE DADDY WANTED.

419
00:19:08,348 --> 00:19:10,217
I'M MAD AT BEN.

420
00:19:10,217 --> 00:19:11,651
I NEED TO WORK OUT
THOSE ISSUES

421
00:19:11,684 --> 00:19:12,752
WITH STRANGE MEN
ON THE DANCE FLOOR.

422
00:19:12,785 --> 00:19:15,822
(gasps) YOU'RE GONNA LEAVE ME
SITTING HERE BY MYSELF?

423
00:19:15,855 --> 00:19:18,658
IT'S A DIVE, BREE.
DIVE IN.

424
00:19:23,830 --> 00:19:25,732
THE MAIN THING
THAT DISTINGUISHES YOU

425
00:19:25,765 --> 00:19:28,701
FROM A CORPORATE FIRM
IS CUSTOM BENCHMARKING.

426
00:19:28,735 --> 00:19:31,238
LET THEM KNOW YOU PROVIDE
SUPERIOR CUSTOMER SERVICE,

427
00:19:31,271 --> 00:19:32,572
EVEN THOUGH
YOUR RESPONSIBILITIES

428
00:19:32,605 --> 00:19:33,706
ARE NOT FIDUCIARY.

429
00:19:33,740 --> 00:19:35,908
OOH, "FIDUCIARY."
I LOVE HOW THAT SOUNDS.

430
00:19:35,942 --> 00:19:37,009
CAN YOU SPELL IT FOR ME?

431
00:19:37,043 --> 00:19:39,246
WELL, LET ME EXPLAIN IT FIRST.
NO, NO, NO, NO, NO.

432
00:19:39,279 --> 00:19:41,848
YOUR EXPLANATIONS TAKE FOREVER.
JUST SPELL IT.

433
00:19:41,881 --> 00:19:42,915
GABY, YOU CAN'T WRITE DOWN
A BUNCH OF BUZZWORDS

434
00:19:42,949 --> 00:19:45,252
AND READ THEM OFF
A PIECE OF PAPER AT THE MEETING.

435
00:19:45,285 --> 00:19:48,288
GOOD POINT. I SHOULD HIDE
A PIECE OF PAPER.

436
00:19:48,321 --> 00:19:51,258
OR YOU COULD ACTUALLY
BUCKLE DOWN

437
00:19:51,291 --> 00:19:52,792
AND LEARN THE CONCEPTS.

438
00:19:52,825 --> 00:19:54,827
IT'S JUST FANCY LINGO.
YOU THROW IT AROUND.

439
00:19:54,861 --> 00:19:56,829
YOU SOUND SMART.
CLIENTS ARE HAPPY.

440
00:19:56,863 --> 00:19:58,631
I MEAN, WHO REALLY
UNDERSTANDS THIS STUFF?

441
00:19:58,665 --> 00:20:00,667
EVERYBODY.
REALLY?

442
00:20:00,700 --> 00:20:04,237
EVERYBODY? (scoffs)
OKAY. HEY, PENNY.

443
00:20:04,271 --> 00:20:05,905
WHAT IS "FIDUCIARY" MEAN?

444
00:20:05,938 --> 00:20:08,508
UM, I THINK IT'S LIKE SOMEONE
WHO'S ALLOWED TO MANAGE

445
00:20:08,541 --> 00:20:11,811
TO SOMEONE ELSE'S MONEY--
LIKE... A BANK OR SOMETHING.

446
00:20:12,979 --> 00:20:15,882
OKAY. GUESS WHO'S GOING
TO THEIR PROM ALONE.

447
00:20:15,915 --> 00:20:18,017
LOOK, CAN WE TAKE A BREAK?
WE'VE BEEN AT THIS FOR HOURS.

448
00:20:18,050 --> 00:20:19,619
(taps key)
43 MINUTES.

449
00:20:19,652 --> 00:20:21,621
WELL, IT FEELS LIKE HOURS.

450
00:20:21,654 --> 00:20:23,623
JUST GIVE ME A COUPLE MORE
SMART WORDS, AND WE'LL BE DONE.

451
00:20:23,656 --> 00:20:25,825
WHAT HAPPENS WHEN THEY HAVE
A QUESTION?

452
00:20:25,858 --> 00:20:27,927
YOU CAN'T JUST SPOUT OFF
A BUNCH OF TERMS

453
00:20:27,960 --> 00:20:29,529
YOU DON'T UNDERSTAND.

454
00:20:29,562 --> 00:20:30,930
OF COURSE I CAN.

455
00:20:30,963 --> 00:20:32,999
YOU THINK WHEN I WAS
A SPOKESMODEL AT CAR SHOWS

456
00:20:33,032 --> 00:20:36,035
I KNEW WHAT
RACK AND PINION STEERING WAS?

457
00:20:36,068 --> 00:20:38,471
I DIDN'T HAVE TO,
'CAUSE I HAD CHARM.

458
00:20:38,505 --> 00:20:40,907
AND A TIGHT LITTLE DRESS
THAT BARELY COVERED YOUR HOO-HA.

459
00:20:40,940 --> 00:20:42,875
I WONDER IF I STILL FIT
INTO THAT DRESS.

460
00:20:42,909 --> 00:20:44,911
WELL, HERE'S A THOUGHT.

461
00:20:44,944 --> 00:20:48,748
HOW ABOUT FOR ONCE IN YOUR LIFE
YOU APPLY YOURSELF?

462
00:20:48,781 --> 00:20:50,917
WHAT DOES THAT MEAN?

463
00:20:50,950 --> 00:20:51,918
IT MEANS FOR AS LONG
AS I'VE KNOWN YOU,

464
00:20:51,951 --> 00:20:55,054
YOU HAVE BEEN SKATING BY
ON YOUR LOOKS AND CHARM.

465
00:20:55,087 --> 00:20:57,624
FOR AS LONG AS
YOU'VE KNOWN ME?

466
00:20:57,657 --> 00:21:00,827
WOW, YOU'VE BEEN HOLDING
ON TO THAT FOR A LONG TIME.
TELL ME I'M WRONG.

467
00:21:00,860 --> 00:21:01,861
NO, LYNETTE, I CAN'T.

468
00:21:01,894 --> 00:21:03,596
NO ONE CAN TELL YOU
YOU'RE WRONG,

469
00:21:03,630 --> 00:21:04,797
'CAUSE YOU'RE ALWAYS RIGHT.

470
00:21:04,831 --> 00:21:06,866
OKAY. WHAT DOES THAT MEAN?
IT MEANS YOU'RE A KNOW-IT-ALL.

471
00:21:06,899 --> 00:21:10,970
I HAVE NEVER ONCE HEARD YOU SAY
THE WORDS "I DON'T KNOW."

472
00:21:11,003 --> 00:21:12,572
WELL, GET READY TO,

473
00:21:12,605 --> 00:21:14,907
BECAUSE I DON'T KNOW WHY
I AGREED TO HELP YOU.

474
00:21:14,941 --> 00:21:17,944
THIS IS
A COMPLETE WASTE OF MY TIME.

475
00:21:17,977 --> 00:21:19,712
IT'S A BIGGER WASTE
OF MY TIME,

476
00:21:19,746 --> 00:21:21,914
'CAUSE LISTENING TO YOU,
TIME GOES SLOWER.

477
00:21:21,948 --> 00:21:23,450
GOOD LUCK AT YOUR MEETING.

478
00:21:23,483 --> 00:21:26,653
YEAH, WELL, THANKS FOR NOTHING.
WHAT A FI-DOUCHE.

479
00:21:28,888 --> 00:21:31,524
(door slams)

480
00:21:31,558 --> 00:21:34,994
(Fitz and the Tantrums)
* WE DON'T NEED NO LOVE SONGS

481
00:21:35,027 --> 00:21:37,997
* TO TELL THE WORLD

482
00:21:38,030 --> 00:21:41,834
* HOW HOPELESS WE FEEL

483
00:21:41,868 --> 00:21:45,505
* WHEN IT'S DEAD AND GONE

484
00:21:45,538 --> 00:21:49,942
* I'VE BEEN LOST
WITHOUT A REASON *

485
00:21:49,976 --> 00:21:53,880
* TO KEEP GOING ON

486
00:21:53,913 --> 00:22:00,653
* THE TRUTH IS YOU WON'T BE
COMING BACK HERE NO MORE *

487
00:22:00,687 --> 00:22:02,589
HELLO.
HI.

488
00:22:05,692 --> 00:22:07,994
OH, LORD. I WAS HOPING
YOU'D TAKE IT FROM THERE.

489
00:22:08,027 --> 00:22:10,697
I HAVE ABSOLUTELY NO IDEA
WHAT TO SAY NEXT.

490
00:22:10,730 --> 00:22:13,933
(chuckles) UH... SORRY.
NEITHER DO I.

491
00:22:13,966 --> 00:22:15,602
WELL, HEY, LOOK AT THAT.

492
00:22:15,635 --> 00:22:16,803
WE ALREADY HAVE
SOMETHING IN COMMON.

493
00:22:16,836 --> 00:22:19,839
HEY. YOU USING THIS?

494
00:22:19,872 --> 00:22:22,842
WELL, IT LOOKS LIKE WE MIGHT
HAVE TO MAKE A COMMITMENT HERE.

495
00:22:22,875 --> 00:22:24,611
YOU READY TO TAKE THAT STEP?

496
00:22:25,978 --> 00:22:28,915
SORRY. I'M AFRAID
THIS CHAIR'S TAKEN.

497
00:22:28,948 --> 00:22:30,717
(glass clatters)

498
00:22:30,750 --> 00:22:31,984
HMM.

499
00:22:32,018 --> 00:22:33,886
(sighs)

500
00:22:33,920 --> 00:22:35,955
I'M BREE, BY THE WAY.
BRADLEY.

501
00:22:35,988 --> 00:22:39,459
SO WHAT IS A MAN WEARING
A CUSTOM-MADE SUIT

502
00:22:39,492 --> 00:22:40,960
DOING IN A PLACE LIKE THIS?

503
00:22:40,993 --> 00:22:42,429
UH, WELL, ACTUALLY,
I'M NOT SUPPOSED TO BE

504
00:22:42,429 --> 00:22:43,763
IN A PLACE LIKE THIS.

505
00:22:43,796 --> 00:22:44,864
I'M SUPPOSED TO BE ACROSS TOWN
AT THE FOUR SEASONS

506
00:22:44,897 --> 00:22:46,899
ATTENDING
MY HIGH SCHOOL REUNION.

507
00:22:46,933 --> 00:22:48,768
OH, AND YOU DECIDED
NOT TO GO.

508
00:22:48,801 --> 00:22:51,771
NO, NO, I WENT, FOR ABOUT,
UH, SIX MINUTES.

509
00:22:51,804 --> 00:22:53,706
AH, ALL THESE PEOPLE
FULL OF REGRETS

510
00:22:53,740 --> 00:22:55,742
TRYING TO RECAPTURE
THEIR GLORY DAYS.

511
00:22:55,775 --> 00:22:58,678
I WAS ABOUT TO BLOW
MY BRAINS OUT.

512
00:22:58,711 --> 00:22:59,879
THAT SOUND CRAZY?

513
00:22:59,912 --> 00:23:01,981
NOT AS MUCH
AS YOU MIGHT THINK.

514
00:23:08,555 --> 00:23:09,722
(chuckles)

515
00:23:09,756 --> 00:23:12,892
I SOMETIMES THINK I MARRIED HIM
JUST TO LOSE MY VIRGINITY.

516
00:23:12,925 --> 00:23:14,727
(chuckles)

517
00:23:14,761 --> 00:23:17,764
I'VE NEVER SAID THAT
TO ANYONE.

518
00:23:17,797 --> 00:23:21,468
I CAN'T BELIEVE I JUST TOLD THAT
TO A TOTAL STRANGER.

519
00:23:21,468 --> 00:23:23,636
I DON'T KNOW WHY
EVERYONE'S SO AFRAID

520
00:23:23,670 --> 00:23:25,938
OF TELLING THEIR SECRETS.
IT'S FREEING, ISN'T IT?

521
00:23:25,972 --> 00:23:28,608
YEAH, YOU'RE RIGHT. YOU KNOW,
I THINK THERE'S A LOT OF THINGS

522
00:23:28,641 --> 00:23:31,210
I'VE BEEN AFRAID OF
FOR NO GOOD REASON,

523
00:23:31,243 --> 00:23:34,481
LIKE PIGEONS AND CILANTRO.

524
00:23:34,481 --> 00:23:36,683
(both laugh)

525
00:23:36,716 --> 00:23:41,187
WELL, I DON'T HAVE ANY PIGEONS
OR CILANTRO AT MY HOUSE.

526
00:23:41,220 --> 00:23:42,655
(glass clatters)

527
00:23:42,689 --> 00:23:44,957
YOU KNOW, I'M--I'M SORRY.

528
00:23:44,991 --> 00:23:46,959
I-I BET YOU'RE TOO MUCH
OF A LADY

529
00:23:46,993 --> 00:23:49,562
TO GO HOME WITH SOMEBODY
YOU JUST MET AT A BAR.

530
00:23:49,596 --> 00:23:51,864
YES, A LADY USUALLY LIKES
TO KNOW A MAN

531
00:23:51,898 --> 00:23:55,001
A LITTLE BIT LONGER.

532
00:23:58,771 --> 00:24:01,641
ALL RIGHT, THAT'S LONG ENOUGH.
LET'S GO.

533
00:24:01,674 --> 00:24:04,877
(laughs)

534
00:24:04,911 --> 00:24:07,780
(crickets chirping)

535
00:24:12,719 --> 00:24:14,621
(trash cans clattering)

536
00:24:14,654 --> 00:24:16,956
IT'S MARISA, RIGHT?

537
00:24:16,989 --> 00:24:20,693
UH, I'M SUSAN. I DON'T KNOW
IF YOU REMEMBER ME

538
00:24:20,727 --> 00:24:21,894
FROM THE OPEN HOUSE.

539
00:24:21,928 --> 00:24:24,797
MY MOM'S INSIDE.
I'LL GO GET HER.

540
00:24:24,831 --> 00:24:27,900
NO, NO, UM, ACTUALLY.
I WANTED TO TALK TO YOU ALONE,

541
00:24:27,934 --> 00:24:29,736
IF THAT'S OKAY.

542
00:24:29,769 --> 00:24:30,837
WHY?

543
00:24:30,870 --> 00:24:34,774
I, UH...

544
00:24:34,807 --> 00:24:37,777
I WANNA ASK YOU
ABOUT YOUR DAD.

545
00:24:37,810 --> 00:24:39,211
STEPDAD.

546
00:24:39,245 --> 00:24:42,782
STEPDAD. RIGHT.

547
00:24:42,815 --> 00:24:44,951
UM...

548
00:24:46,853 --> 00:24:50,557
HE WASN'T A VERY GOOD MAN,
WAS HE?

549
00:24:52,659 --> 00:24:54,761
WHEN YOUR MOM MENTIONED HIM,

550
00:24:54,794 --> 00:24:56,729
I NOTICED THE LOOK ON YOUR FACE,
AND I HAD THIS FEELING

551
00:24:56,763 --> 00:25:03,803
THAT... MAYBE THERE WAS
A PROBLEM... BETWEEN YOU TWO?

552
00:25:06,673 --> 00:25:07,740
I DON'T WANNA TALK
ABOUT THIS.

553
00:25:07,774 --> 00:25:09,709
IT'S OKAY.

554
00:25:09,742 --> 00:25:13,813
I KNOW HIM A LITTLE BIT,
ENOUGH TO KNOW...

555
00:25:13,846 --> 00:25:16,683
THE KIND OF PERSON HE IS.

556
00:25:18,851 --> 00:25:20,853
YOU CAN TELL ME.

557
00:25:22,922 --> 00:25:24,791
DID HE EVER HURT YOU?

558
00:25:28,127 --> 00:25:30,329
WHY?

559
00:25:30,362 --> 00:25:37,737
I KNOW THAT YOU JUST MET ME,
AND THIS MUST SEEM VERY STRANGE.

560
00:25:37,770 --> 00:25:40,840
BUT I CAME HERE...

561
00:25:40,873 --> 00:25:42,842
BECAUSE I KNOW WHAT HE DID.

562
00:25:42,875 --> 00:25:47,747
AND EVEN THOUGH
I CAN'T TAKE AWAY THE PAIN,

563
00:25:47,780 --> 00:25:51,684
I CAN PROMISE YOU ONE THING.

564
00:25:51,718 --> 00:25:57,156
YOUR STEPFATHER WILL NEVER
HURT YOU AGAIN.

565
00:25:57,189 --> 00:26:00,660
HOW CAN YOU KNOW THAT?

566
00:26:00,693 --> 00:26:03,763
I JUST KNOW.

567
00:26:06,132 --> 00:26:09,268
HE IS NEVER... COMING BACK.

568
00:26:11,103 --> 00:26:13,105
(whispers) I PROMISE.

569
00:26:26,853 --> 00:26:27,820
(laughs)

570
00:26:27,854 --> 00:26:29,388
OH, MY, A POOL, TOO?

571
00:26:29,421 --> 00:26:32,291
I WISH I'D KNOWN. I WOULD HAVE
BROUGHT MY BATHING SUIT.

572
00:26:32,324 --> 00:26:33,960
(chuckles)

573
00:26:33,993 --> 00:26:35,261
OOH!

574
00:26:35,294 --> 00:26:36,362
(both laugh)

575
00:26:36,395 --> 00:26:39,666
THIS IS WONDERFUL,
BY THE WAY.

576
00:26:39,666 --> 00:26:41,067
YEAH, IT WAS ONE
OF MY FAVORITES.

577
00:26:41,100 --> 00:26:42,669
I PICKED IT UP
ON A WINE TASTING TRIP

578
00:26:42,669 --> 00:26:44,303
THROUGH THE SOUTH OF FRANCE
LAST SUMMER.

579
00:26:44,336 --> 00:26:45,872
IT'S GOT A NICE...

580
00:26:45,905 --> 00:26:48,374
MMM, MMM, MMM.

581
00:26:48,407 --> 00:26:50,342
(chuckles)

582
00:26:50,376 --> 00:26:52,344
WELL, I GUESS
YOU LIKE IT, TOO.

583
00:26:52,378 --> 00:26:54,914
OH, MY GOODNESS. I'VE NEVER
DONE ANYTHING LIKE THAT BEFORE.

584
00:26:54,947 --> 00:26:57,249
WELL, HERE'S TO TRYING
NEW THINGS.

585
00:26:57,283 --> 00:26:59,285
(chuckles)

586
00:26:59,318 --> 00:27:01,087
(clink)

587
00:27:01,120 --> 00:27:03,422
MMM. YOU KNOW WHAT?
HMM?

588
00:27:03,455 --> 00:27:07,894
I JUST THOUGHT OF SOMETHING ELSE
I'VE NEVER TRIED BEFORE.

589
00:27:11,798 --> 00:27:14,801
(both laughing)

590
00:27:14,967 --> 00:27:19,939
OH, OH. THIS IS SO CRAZY.
I'M IN A POOL. I'M NAKED.

591
00:27:19,972 --> 00:27:21,808
AND I LOVE IT.

592
00:27:21,841 --> 00:27:23,776
WELL, GET READY
TO LOVE IT EVEN MORE.

593
00:27:23,810 --> 00:27:26,245
OUR VERY OWN... FLOATING BAR.

594
00:27:26,278 --> 00:27:28,981
YOU KNOW WHAT?

595
00:27:29,015 --> 00:27:30,349
I JUST THOUGHT
OF SOMETHING ELSE

596
00:27:30,382 --> 00:27:32,852
I'VE NEVER DONE IN A POOL
BEFORE.

597
00:27:32,885 --> 00:27:34,821
AH.
(chuckles)

598
00:27:36,989 --> 00:27:37,990
(lights clank)

599
00:27:38,024 --> 00:27:40,159
OH, CRAP.

600
00:27:40,192 --> 00:27:41,761
(gasps)

601
00:27:41,794 --> 00:27:43,229
DID SOMEONE JUST BREAK
INTO THE HOUSE?

602
00:27:43,262 --> 00:27:44,897
YEAH. ME.

603
00:27:44,931 --> 00:27:45,965
IS SOMEONE OUT THERE?

604
00:27:45,998 --> 00:27:49,736
(whispers)
WHAT'S HAPPENING?

605
00:27:49,769 --> 00:27:52,338
IT'S A FUNNY STORY.
HE'S MY BOSS. I'M HIS ASSISTANT.

606
00:27:52,371 --> 00:27:54,173
WE NEED TO GET OUT OF HERE.

607
00:27:54,206 --> 00:27:56,843
YOU'RE AN ASSISTANT?
AREN'T YOU OVER 40?

608
00:27:56,876 --> 00:27:59,345
JEEZ, YOU'RE WORSE THAN
THOSE PEOPLE AT MY REUNION!

609
00:28:01,981 --> 00:28:03,415
BRADLEY?

610
00:28:03,449 --> 00:28:05,752
MR. JACOBS,
YOU'LL BE HAPPY TO KNOW

611
00:28:05,785 --> 00:28:07,987
THAT I HAVE WATERED YOUR PLANTS
AND PICKED UP YOUR SUITS.

612
00:28:08,020 --> 00:28:09,889
OH, AND YOUR, UH,
DAUGHTER CALLED.

613
00:28:09,922 --> 00:28:11,323
WHAT THE HELL
ARE YOU DOING?

614
00:28:11,357 --> 00:28:14,193
I'M SORRY. I THOUGHT YOU WEREN'T
GONNA BE BACK TILL MONDAY.

615
00:28:14,226 --> 00:28:17,329
OH, YOU TWO HAVE A LOT
TO TALK ABOUT.

616
00:28:17,363 --> 00:28:18,898
COULD I TROUBLE YOU FOR A TOWEL?

617
00:28:18,931 --> 00:28:19,766
SO YOU THOUGHT IN THE MEANTIME

618
00:28:19,799 --> 00:28:22,869
YOU COULD TAKE OVER MY HOUSE,
MY POOL,

619
00:28:22,902 --> 00:28:25,404
MY PANTS?!

620
00:28:25,437 --> 00:28:27,807
(gasps) SPEAKING OF CLOTHES,
I'D LOVE TO BE WEARING SOME

621
00:28:27,840 --> 00:28:28,841
FROM THAT PILE RIGHT THERE.

622
00:28:28,875 --> 00:28:29,942
WHO ARE YOU?

623
00:28:32,945 --> 00:28:34,046
(water splashes)

624
00:28:34,080 --> 00:28:36,783
OOH. UH, I CAN ASSURE YOU,
I NEVER DO THIS SORT OF THING.

625
00:28:36,783 --> 00:28:39,819
JUST GET OUT!

626
00:28:43,322 --> 00:28:45,958
YOU HAVE A LOVELY, LOVELY HOME.

627
00:28:45,992 --> 00:28:49,395
(raft creaks)

628
00:28:49,428 --> 00:28:51,831
(whirring in distance)

629
00:28:51,864 --> 00:28:53,499
WHOA, NO, WE'RE NOT DONE
WITH THAT ONE YET.

630
00:28:53,532 --> 00:28:54,633
DON'T KNOW WHAT TO TELL YOU.

631
00:28:54,666 --> 00:28:57,904
LEASE HASN'T BEEN PAID,
AND I GOT SENT TO TAKE IT BACK.

632
00:28:57,937 --> 00:28:59,906
GUY WITH THE FUNNY ACCENT
ASKED ME TO WAIT A HALF-HOUR

633
00:28:59,939 --> 00:29:03,309
WHILE HE MEETS WITH SOME,
UH, BANKERS.

634
00:29:11,984 --> 00:29:14,821
MIKE, HEY. PRIVATE MEETING.

635
00:29:16,923 --> 00:29:18,224
(latches click)

636
00:29:18,257 --> 00:29:21,260
YEAH, DO ME A FAVOR, BUD.
STEP BACK OUTSIDE.

637
00:29:21,293 --> 00:29:23,295
ARE YOU CRAZY?

638
00:29:23,329 --> 00:29:26,498
WELL, IT'S JUST A STOP-GAP LOAN.
NO WORRIES.

639
00:29:26,532 --> 00:29:28,500
WHO IS THIS GUY?
SORRY, PAL.

640
00:29:28,534 --> 00:29:30,870
THE DEAL'S OFF.
HE'S NOT TAKING YOUR MONEY.

641
00:29:30,903 --> 00:29:33,239
IF HE'S A FRIEND,
I SUGGEST YOU URGENTLY

642
00:29:33,272 --> 00:29:34,907
GET THE HELL OUT OF MY FACE.

643
00:29:34,941 --> 00:29:37,877
MIKE, I'M NOT ASKING YOU.
I'M TELLING YOU.

644
00:29:37,910 --> 00:29:39,211
MIND YOUR OWN BUSINESS.

645
00:29:39,245 --> 00:29:41,313
BEN, WHEN YOU'RE DEAD
OR ON THE LAM

646
00:29:41,347 --> 00:29:43,282
BECAUSE YOU CAN'T PAY THEM BACK,
AND TRUST ME,

647
00:29:43,315 --> 00:29:45,852
YOU WILL NEVER BE ABLE
TO PAY THEM BACK...

648
00:29:47,253 --> 00:29:52,892
I'M GONNA LOSE MY JOB.
THAT IS MY BUSINESS.

649
00:29:56,528 --> 00:29:58,130
YOU CAN GO.

650
00:30:01,200 --> 00:30:03,602
(sighs)

651
00:30:03,635 --> 00:30:06,238
"MIKE," WAS IT?

652
00:30:06,272 --> 00:30:07,907
YEAH.

653
00:30:09,475 --> 00:30:10,609
YEAH. MIKE.

654
00:30:10,642 --> 00:30:12,845
(door opens)

655
00:30:12,879 --> 00:30:14,947
(sighs)

656
00:30:19,418 --> 00:30:25,858
MY WHOLE LIFE, MONEY'S BEEN
THE BOOT ON MY THROAT, YOU KNOW?

657
00:30:25,892 --> 00:30:29,295
WHEN I WAS A KID, WHEN I WAS
A YOUNG GUY STARTING OUT,

658
00:30:29,328 --> 00:30:33,599
AND EVEN NOW WHEN I'M SUPPOSEDLY
SOME SORT OF A SUCCESS.

659
00:30:33,632 --> 00:30:36,368
YEAH, IT'S A PAIN IN THE ASS.

660
00:30:36,402 --> 00:30:39,171
EVEN RENEE, AS RICH AS SHE IS,
STILL COMPLAINS ABOUT IT.

661
00:30:39,205 --> 00:30:42,141
YEAH, YEAH, SHE, UH,
SHE DIVORCED SOME ATHLETE

662
00:30:42,174 --> 00:30:43,475
OR SOMETHING, RIGHT?

663
00:30:43,509 --> 00:30:46,879
SOME ATHLETE?
TRY DOUG PERRY.

664
00:30:46,913 --> 00:30:49,215
THE NEW YORK YANKEE.

665
00:30:49,248 --> 00:30:50,616
OH. SORRY, MATE.

666
00:30:50,649 --> 00:30:52,251
IF SHE DIVORCED
A CRICKET PLAYER,

667
00:30:52,284 --> 00:30:53,252
I MIGHT RECOGNIZE THE NAME.

668
00:30:53,285 --> 00:30:55,321
(chuckles) IF SHE DIVORCED
A CRICKET PLAYER,

669
00:30:55,354 --> 00:30:57,623
SHE WOULDN'T HAVE GOTTEN
$12 MILLION.

670
00:30:57,656 --> 00:31:00,059
ANOTHER?

671
00:31:00,092 --> 00:31:01,593
UH... YEAH.

672
00:31:04,430 --> 00:31:06,933
YEAH, YEAH, ANOTHER.

673
00:31:13,339 --> 00:31:14,440
(British accent)
WELL, GABY, WE ARE VERY FOND

674
00:31:14,473 --> 00:31:16,475
OF CARLOS AND EVERYONE
AT GLOBAL, BUT HELP ME OUT HERE.

675
00:31:16,508 --> 00:31:18,577
HOW CAN I TELL OUR BOARD
WE'RE GOING WITH YOUR FIRM

676
00:31:18,610 --> 00:31:21,413
INSTEAD OF A LARGER ONE
WITH A LONGER TRACK RECORD?

677
00:31:21,447 --> 00:31:26,385
FOUR WORDS--"OPEN-ARCHITECTURE
INVESTMENT PLATFORM."

678
00:31:26,418 --> 00:31:30,156
AH. SO AS OPPOSED TO TIGHTLY
CONTROLLING OUR PORTFOLIO,

679
00:31:30,189 --> 00:31:33,325
YOU WOULD OPEN IT UP TO
A NUMBER OF ASSET MANAGERS.

680
00:31:33,359 --> 00:31:35,627
ISN'T THAT WHAT I JUST SAID?

681
00:31:35,661 --> 00:31:37,496
(all chuckle)

682
00:31:37,529 --> 00:31:39,365
(clears throat)
SO WHERE DO YOU SEE

683
00:31:39,398 --> 00:31:41,133
THE GREATEST OPPORTUNITY
FOR GROWTH?

684
00:31:41,167 --> 00:31:45,604
FIVE WORDS...

685
00:31:45,637 --> 00:31:48,174
DEBT MANAGEMENT
AND EMERGING MARKETS.

686
00:31:48,207 --> 00:31:50,242
(British accent) YES,
BECAUSE THE I.M.F. HAS VOWED

687
00:31:50,276 --> 00:31:52,078
TO SUPPORT THOSE ECONOMIES.

688
00:31:52,111 --> 00:31:53,645
WE LIKE WHAT WE'RE HEARING,
GABY.

689
00:31:53,679 --> 00:31:56,115
(chuckles) TWO WORDS--
ME, TOO.

690
00:31:56,148 --> 00:31:58,284
(all chuckle)
(cell phone ringing)

691
00:31:58,317 --> 00:32:00,586
OH. SORRY.

692
00:32:00,619 --> 00:32:02,354
IT'S MY DAUGHTER.
(chuckles)

693
00:32:02,388 --> 00:32:05,391
(beep)
(lowered voice) JUANITA,
I'M IN A BUSINESS MEETING.

694
00:32:05,424 --> 00:32:07,593
YES,
I HAVE BUSINESS MEETINGS.

695
00:32:07,626 --> 00:32:09,095
SINCE NOW.
WHAT DO YOU WANT?

696
00:32:09,128 --> 00:32:12,498
NO, YOU CANNOT GIVE
YOUR SISTER A HAIRCUT.

697
00:32:12,531 --> 00:32:14,300
OH, OKAY.
WELL, I'LL FIX IT LATER.

698
00:32:14,333 --> 00:32:16,268
JUST DON'T LET HER LOOK
IN ANY MIRRORS.

699
00:32:16,302 --> 00:32:20,072
SORRY ABOUT THAT.
WHERE WERE WE?

700
00:32:20,106 --> 00:32:22,008
WELL, I WAS JUST ABOUT
TO ASK YOU YOUR OPINION

701
00:32:22,041 --> 00:32:24,110
OF THE LONG-TERM VIABILITY
OF THE EURO.

702
00:32:24,143 --> 00:32:27,613
AH, WELL...

703
00:32:27,646 --> 00:32:29,281
WHERE'S MY MENU?

704
00:32:29,315 --> 00:32:31,417
THE WAITER TOOK IT.
WHAT? WAIT.

705
00:32:31,450 --> 00:32:33,252
WE HAVEN'T EVEN ORDERED YET.

706
00:32:33,285 --> 00:32:34,620
OH, THE CHEF IS CREATING

707
00:32:34,653 --> 00:32:36,522
A TASTING MENU FOR US.
ISN'T THAT NICE?

708
00:32:36,555 --> 00:32:40,092
NO! NO, NO.
I... NEED MY MENU.

709
00:32:40,126 --> 00:32:42,128
(chuckles)

710
00:32:51,170 --> 00:32:55,274
COME ON. GOTTA BE IN HERE.

711
00:32:55,307 --> 00:32:57,209
RESERVATION
UNDER COMMERSON.

712
00:32:57,243 --> 00:32:59,178
OH. HERE.
SIT WHEREVER YOU WANT.

713
00:33:03,549 --> 00:33:07,486
IS THERE A PROBLEM, GABY?

714
00:33:07,519 --> 00:33:10,789
NO. (chuckles) UH...

715
00:33:10,822 --> 00:33:13,125
NO, NO. NO PROBLEM.
(chuckles)

716
00:33:13,159 --> 00:33:16,595
EVERYTHING IS FINE.

717
00:33:16,628 --> 00:33:20,066
(sighs) ENOUGH BUSINESS TALK.
LET'S JUST EAT.

718
00:33:20,099 --> 00:33:21,500
OH, NO, I LOVE THIS STUFF.

719
00:33:21,533 --> 00:33:24,136
IN FACT, I AM GOING TO
PICK YOUR BRAIN

720
00:33:24,170 --> 00:33:25,471
FOR THE ENTIRE MEAL.

721
00:33:25,504 --> 00:33:28,540
YAY! (laughs)

722
00:33:28,574 --> 00:33:30,776
SO YOU WERE JUST ABOUT
TO TELL US YOUR FEELINGS

723
00:33:30,809 --> 00:33:35,547
ABOUT THE FUTURE
OF A UNIFIED EUROPEAN CURRENCY.

724
00:33:38,384 --> 00:33:39,618
FIDUCIARY.

725
00:33:49,228 --> 00:33:50,562
HEY, HOW WAS PRACTICE?

726
00:33:50,596 --> 00:33:53,432
COACH IS AN IDIOT.

727
00:33:53,465 --> 00:33:55,334
(sighs) YOU STILL
CAN'T FIX IT?

728
00:33:55,367 --> 00:33:58,437
WELL, I'M SURE I COULD,
BUT YOU KNOW,

729
00:33:58,470 --> 00:34:00,106
I'M STARTING TO LIKE IT
THAT WAY.

730
00:34:00,139 --> 00:34:01,440
GIVES THE PLACE AMBIANCE.

731
00:34:01,473 --> 00:34:02,574
(Parker) MOM!

732
00:34:02,608 --> 00:34:05,544
LIKE A FLICKERING CANDLE.

733
00:34:05,577 --> 00:34:07,113
MOM?!

734
00:34:07,113 --> 00:34:09,448
CAN YOU COME UP HERE?

735
00:34:09,481 --> 00:34:10,582
YES, HONEY?

736
00:34:10,616 --> 00:34:12,784
WHAT DID YOU DO?

737
00:34:12,818 --> 00:34:15,187
I WAS TRYING TO FIX
THE LIGHT IN THE KITCHEN.

738
00:34:15,221 --> 00:34:16,588
AND NOW MY WALL HAS
A HUGE HOLE BASHED IN IT?

739
00:34:16,622 --> 00:34:19,591
HEY, HEY, DON'T GET ALL
HIGH AND MIGHTY.

740
00:34:19,625 --> 00:34:21,460
THERE ARE SEVERAL WALLS
IN THIS HOUSE

741
00:34:21,493 --> 00:34:23,462
THAT HAVE HUGE HOLES
BASHED IN THEM.

742
00:34:23,495 --> 00:34:25,231
AND YOU THOUGHT
I WOULDN'T NOTICE

743
00:34:25,264 --> 00:34:27,299
IF YOU... COVERED IT
WITH A UNICORN POSTER?

744
00:34:27,333 --> 00:34:29,468
WELL, PARKER, YOU DIDN'T NOTICE
WHEN I WAS BALD FROM CHEMO,

745
00:34:29,501 --> 00:34:31,203
SO, YEAH,
IT WAS WORTH A SHOT.

746
00:34:31,237 --> 00:34:33,572
(Penny) WHY IS THERE A MAP
OF CANADA ON MY WALL?

747
00:34:36,408 --> 00:34:37,543
OH, MY GOD!

748
00:34:37,576 --> 00:34:39,445
I DON'T WANNA SEE INTO HIS ROOM!

749
00:34:39,478 --> 00:34:41,447
IT'S BAD ENOUGH HEARING
WHAT GOES ON IN THERE.

750
00:34:41,480 --> 00:34:43,415
SHUT UP. I'M NOT THE ONE WHO
PRACTICES KISSING

751
00:34:43,449 --> 00:34:44,583
WITH A STUFFED DOLPHIN.

752
00:34:44,616 --> 00:34:45,851
HEY, HEY!

753
00:34:45,884 --> 00:34:48,754
MOM, WHAT HAPPENED?

754
00:34:48,787 --> 00:34:52,158
I WAS LOOKING FOR A THING
CALLED THE SECONDARY FUSE BOX,

755
00:34:52,158 --> 00:34:54,160
WHICH IS SUPPOSED TO BE
IN THE WALL,

756
00:34:54,160 --> 00:34:56,762
BUT IT TURNS OUT
THE INTERNET CAN BE WRONG.

757
00:34:56,795 --> 00:34:57,963
UNBELIEVABLE.

758
00:34:57,996 --> 00:35:02,168
MOM, WE TOLD YOU TWO DAYS AGO,
JUST CALL AN ELECTRICIAN.

759
00:35:05,504 --> 00:35:06,872
NO.

760
00:35:06,905 --> 00:35:09,341
NO. I HAVE TO BE ABLE
TO FIGURE THIS OUT.

761
00:35:09,375 --> 00:35:11,410
YOUR FATHER IS GONE,
AND LOTS OF THINGS LIKE THIS

762
00:35:11,443 --> 00:35:17,183
ARE GOING TO HAPPEN, AND I NEED
TO KNOW HOW TO FIX THEM.

763
00:35:17,216 --> 00:35:19,751
IF I HAD KNOWN HE WAS
GOING TO REALLY LEAVE,

764
00:35:19,785 --> 00:35:21,453
THEN I WOULD HAVE HAD HIM
TEACH ME THIS STUFF

765
00:35:21,487 --> 00:35:23,489
WHILE HE WAS STILL HERE!

766
00:35:30,196 --> 00:35:34,200
I... SHOULD GO GET DINNER
READY.

767
00:35:43,775 --> 00:35:45,811
I'M SORRY. I DON'T HAVE TIME
FOR YOU RIGHT NOW.

768
00:35:45,844 --> 00:35:47,313
I'M ON THE PHONE.

769
00:35:47,346 --> 00:35:49,381
I DON'T SEE A PHONE.

770
00:35:49,415 --> 00:35:53,219
YEAH.
IT'S JUST MY BOYFRIEND.

771
00:35:53,219 --> 00:35:54,453
SHH!

772
00:35:56,822 --> 00:35:58,757
SHE'LL CALL YOU BACK.

773
00:35:59,858 --> 00:36:01,026
I'M SORRY.

774
00:36:01,059 --> 00:36:05,397
AND NO MATTER HOW BUSY I WAS,
I SHOULD'VE MADE TIME FOR YOU.

775
00:36:05,431 --> 00:36:08,367
HOW MUCH DID THE WINE COST?

776
00:36:08,400 --> 00:36:09,901
$115.

777
00:36:09,935 --> 00:36:12,438
OKAY, YOU'RE SORRY.

778
00:36:14,406 --> 00:36:16,708
I GOTTA BE HONEST.

779
00:36:16,742 --> 00:36:19,445
I WAS WORRIED YOU WERE
LOSING INTEREST IN ME.

780
00:36:19,478 --> 00:36:22,881
LOSE INTEREST IN YOU?

781
00:36:22,914 --> 00:36:24,916
RENEE...

782
00:36:26,452 --> 00:36:30,522
YOU GOT EVERYTHING
A MAN COULD WANT.

783
00:36:30,556 --> 00:36:31,957
MMM.

784
00:36:42,968 --> 00:36:44,703
I'M BUSY.

785
00:36:44,736 --> 00:36:46,305
TOO BUSY FOR BOURBON?

786
00:36:46,338 --> 00:36:47,773
OR ICE CREAM?

787
00:36:47,806 --> 00:36:50,809
HEY, WE CAN MAKE
A BOURBON FLOAT.

788
00:36:52,711 --> 00:36:57,283
OKAY. TERRIBLE IDEA. I JUST
CAME TO SAY YOU WERE RIGHT.

789
00:36:57,283 --> 00:37:00,452
I AM A PAIN-IN-THE-ASS
KNOW-IT-ALL, AND I AM SORRY.

790
00:37:02,388 --> 00:37:05,891
YOU WERE RIGHT, TOO.

791
00:37:05,924 --> 00:37:09,027
BOURBON FLOAT'S
A TERRIBLE IDEA.

792
00:37:09,060 --> 00:37:11,363
BUT AN AMARETTO FLOAT...

793
00:37:15,834 --> 00:37:18,770
IT'S JUST SO TYPICAL.
YOU CAME TO ME FOR HELP,

794
00:37:18,804 --> 00:37:20,372
BUT INSTEAD,
I GAVE YOU A LECTURE,

795
00:37:20,406 --> 00:37:22,007
AND WHEN YOU WOULDN'T
DO WHAT I SAID,

796
00:37:22,040 --> 00:37:23,675
I KICKED YOU OUT.
IT'S OKAY.

797
00:37:23,709 --> 00:37:24,910
NO, IT'S NOT.

798
00:37:24,943 --> 00:37:28,347
I HAVE BEEN DOING THIS
TO TOM FOREVER...

799
00:37:28,380 --> 00:37:30,882
TILL HE GOT FED UP
AND LEFT.

800
00:37:30,916 --> 00:37:33,319
I REALLY DON'T WANT THAT
TO HAPPEN WITH MY FRIENDS, TOO.

801
00:37:33,352 --> 00:37:36,054
HONEY, I DESERVED IT.
YOU'RE RIGHT.

802
00:37:36,087 --> 00:37:37,456
I DO FAKE MY WAY
THROUGH LIFE

803
00:37:37,489 --> 00:37:39,858
BY BATTING MY EYES
AND LOOKING PRETTY.

804
00:37:39,891 --> 00:37:41,927
AND THE PROBLEM IS,
I CAN'T DO THAT ANYMORE.

805
00:37:41,960 --> 00:37:44,896
RIGHT.
BECAUSE YOU'RE GETTING OLDER.

806
00:37:44,930 --> 00:37:46,765
NO, 'CAUSE CARLOS IS GONE.

807
00:37:46,798 --> 00:37:48,967
OH, SORRY.

808
00:37:49,000 --> 00:37:51,002
I JUST HAVE ALL
THESE RESPONSIBILITIES.

809
00:37:51,036 --> 00:37:52,738
I HAVE TO GROW UP.

810
00:37:52,771 --> 00:37:54,340
WELL, HE SHOULD BE BACK
IN A FEW WEEKS.

811
00:37:54,340 --> 00:37:57,376
WHAT IF HE ISN'T? WHAT IF HE
CAN'T KICK THIS THING?

812
00:37:57,409 --> 00:37:59,945
THEN I'M GONNA BE ON MY OWN,
AND I AM HELPLESS ON MY OWN.

813
00:37:59,978 --> 00:38:01,913
AND THAT'S WHY
I CAME TO YOU.

814
00:38:01,947 --> 00:38:03,649
I JUST WANTED SOMEONE
TO TAKE CARE OF THINGS

815
00:38:03,682 --> 00:38:05,817
SO I WOULDN'T HAVE TO.

816
00:38:05,851 --> 00:38:08,854
I WANTED YOU TO BE MY CARLOS.

817
00:38:08,887 --> 00:38:10,221
AW.

818
00:38:14,092 --> 00:38:16,762
(voice breaking)
I JUST MISS HIM SO MUCH.

819
00:38:16,795 --> 00:38:21,367
I MISS TOM, TOO.

820
00:38:21,367 --> 00:38:23,068
BUT AT LEAST
WE HAVE EACH OTHER.

821
00:38:24,670 --> 00:38:26,372
WE'RE GONNA GET THROUGH THIS.

822
00:38:26,372 --> 00:38:27,673
HOW DO YOU KNOW?

823
00:38:27,706 --> 00:38:29,675
BECAUSE...

824
00:38:29,708 --> 00:38:31,377
I KNOW EVERYTHING, REMEMBER?

825
00:38:40,118 --> 00:38:42,854
(faucet running)

826
00:38:42,888 --> 00:38:44,089
HEY.

827
00:38:44,122 --> 00:38:45,791
YOU LOOK EXHAUSTED.

828
00:38:45,824 --> 00:38:48,860
I AM. I WAS GONNA SLEEP
ON THE PLANE, BUT--

829
00:38:48,894 --> 00:38:49,728
BUT THEY HAD A MOVIE
ABOUT A PARROT

830
00:38:49,761 --> 00:38:51,797
THAT COACHES
AN INNER CITY DEBATE TEAM?

831
00:38:51,830 --> 00:38:53,031
(both laugh)

832
00:38:53,064 --> 00:38:54,766
HEY, I HAVEN'T
HEARD THAT IN A WHILE.

833
00:38:54,800 --> 00:38:56,835
AW.
IT'S NICE.

834
00:38:56,868 --> 00:39:00,839
OH, THIS TRIP, MIKE--
IT DID WHAT I NEEDED IT TO DO.

835
00:39:00,872 --> 00:39:01,907
OH, I'M GLAD.

836
00:39:01,940 --> 00:39:03,074
YEAH.

837
00:39:03,108 --> 00:39:08,780
I THINK THIS WHOLE ALEJANDRO
NIGHTMARE IS FINALLY OVER.

838
00:39:08,814 --> 00:39:11,950
(kisses)
MM.

839
00:39:11,983 --> 00:39:13,785
PLEASE DON'T CANCEL THE CARD.
MY HUSBAND'S BEEN OUT OF TOWN,

840
00:39:13,819 --> 00:39:15,086
BUT I HAVE SOME MONEY NOW,

841
00:39:15,120 --> 00:39:18,690
AND I CAN MAKE
THE MINIMUM PAYMENT TOMORROW.

842
00:39:21,827 --> 00:39:23,429
THANK YOU.

843
00:39:24,630 --> 00:39:25,631
(beep)

844
00:39:25,664 --> 00:39:27,165
MARRY A RICH MAN, MARISA,

845
00:39:27,198 --> 00:39:28,834
BECAUSE THE ONLY THING
GUARANTEED IN LIFE

846
00:39:28,867 --> 00:39:31,136
IS THAT THE BILLS
WILL NEVER STOP.

847
00:39:31,169 --> 00:39:33,905
MAYBE YOU SHOULD SELL
HIS MOTORCYCLE.

848
00:39:33,939 --> 00:39:35,807
YOUR STEPFATHER LOVES
THAT THING. HE'D KILL ME.

849
00:39:35,841 --> 00:39:39,778
BUT... WHAT IF HE NEVER
COMES BACK?

850
00:39:39,811 --> 00:39:42,981
OF COURSE HE'S COMING BACK.
WHY WOULD YOU EVEN SAY THAT?

851
00:39:47,786 --> 00:39:49,955
DID HE CONTACT YOU?

852
00:39:49,988 --> 00:39:51,056
NO.

853
00:39:51,089 --> 00:39:52,190
THEN WHAT?

854
00:39:52,223 --> 00:39:54,793
TELL ME.

855
00:39:56,795 --> 00:39:59,831
THAT WOMAN WHO BOUGHT
ALL THAT STUFF...

856
00:39:59,865 --> 00:40:01,800
SHE CAME TO TALK TO ME.

857
00:40:03,602 --> 00:40:06,705
IT WAS WEIRD, BUT SHE PROMISED
HE'D NEVER COME BACK.

858
00:40:06,738 --> 00:40:08,707
HOW WOULD SHE KNOW?

859
00:40:08,740 --> 00:40:12,177
THAT'S WHAT SHE SAID.

860
00:40:12,210 --> 00:40:14,613
AND SHE SEEMED
PRETTY SURE ABOUT IT.

861
00:40:32,664 --> 00:40:36,034
TURNS OUT THE CAR
WAS HIS BOSS', TOO.

862
00:40:36,067 --> 00:40:38,169
I HAD TO WALK A MILE AND A HALF
TO THE BUS STOP.

863
00:40:38,203 --> 00:40:40,839
HAVE YOU EVER TAKEN A BUS
AT 1:00 IN THE MORNING, RENEE?

864
00:40:40,872 --> 00:40:42,874
IT MAKES YOU
STOP BELIEVING IN GOD.

865
00:40:42,908 --> 00:40:45,043
OKAY, BREE, I GET IT.

866
00:40:45,076 --> 00:40:46,945
AND DID I MENTION
THAT I WAS SOAKING WET?

867
00:40:46,978 --> 00:40:48,747
THREE TIMES.

868
00:40:48,780 --> 00:40:49,915
GOOD, BECAUSE I WANNA BE
VERY CLEAR

869
00:40:49,948 --> 00:40:52,851
JUST HOW YOUR ADVICE
WORKED OUT.

870
00:40:52,884 --> 00:40:55,987
CAN I SAY SOMETHING?

871
00:40:57,556 --> 00:41:00,559
I... THINK YOU HAD A BLAST.

872
00:41:00,592 --> 00:41:02,861
WHY WOULD YOU SAY THAT?

873
00:41:02,894 --> 00:41:04,863
I CAN SEE IT IN YOUR EYES.

874
00:41:04,896 --> 00:41:07,098
YOU'RE TELLING ME
ABOUT THIS HORRIBLE STORY,

875
00:41:07,132 --> 00:41:09,735
BUT YOU LOVE TELLING IT.

876
00:41:09,768 --> 00:41:13,772
THAT IS... RIDICULOUS.

877
00:41:17,543 --> 00:41:21,647
ALTHOUGH...
I SUPPOSE IT WAS...

878
00:41:21,680 --> 00:41:23,649
A LITTLE EXHILARATING.

879
00:41:23,682 --> 00:41:27,018
YES, GOOD FRIENDS ARE THE ONES

880
00:41:27,052 --> 00:41:30,088
WHO TELL US THE TRUTH
ABOUT OURSELVES.

881
00:41:30,121 --> 00:41:35,627
LOOK AT YOU.
YOU'RE A BAD, BAD GIRL.

882
00:41:35,661 --> 00:41:37,763
EVEN WHEN THE TRUTH
MIGHT BE SOMETHING

883
00:41:37,796 --> 00:41:40,766
WE'RE RELUCTANT TO ADMIT...

884
00:41:42,634 --> 00:41:46,772
THAT WE STILL HAVE
A GREAT DEAL TO LEARN...

885
00:41:49,340 --> 00:41:53,679
THAT WE SOMETIMES NEED TO ASK
FOR HELP...

886
00:41:56,047 --> 00:42:01,753
THAT WE MAY BE OVERLOOKING
A GOLDEN OPPORTUNITY.

887
00:42:04,856 --> 00:42:07,959
YES, HEARING THE TRUTH

888
00:42:07,993 --> 00:42:11,730
CAN OFTEN
SET US ON A DIFFERENT PATH.

889
00:42:13,331 --> 00:42:16,668
HEY THERE.
CAN I BUY YOU ANOTHER DRINK?

890
00:42:16,702 --> 00:42:18,670
BUT WE NEVER KNOW...

891
00:42:18,704 --> 00:42:20,706
YOU CAN BUY ME BREAKFAST.

892
00:42:20,739 --> 00:42:24,743
WHERE THAT PATH
MIGHT TAKE US...

893
00:42:26,912 --> 00:42:31,717
OR WHO MIGHT BE WATCHING.


